I had barely heard a song from Ragtime before we saw it this weekend – but it was the most suitable-looking show on in London this weekend with tickets available that we hadn’t already seen, so front-row tickets were booked.
Of course we didn’t know what to expect: but from the opening number it was clear we were in for something which was both deep and rocking. There are some seriously catchy tunes, heartbreak and politics. A lot of it is looking frighteningly relevant to the way the world is currently moving (as we saw this in the week Trump won the presidential election).
I really enjoyed the way this production had all the instruments onstage, and a simple set of two walkways that swung back and forth and was used imaginatively. Part of the fun was how the pianos were used as furniture on stage: I was amazed how much jumping on and off the tops was manageable without slipping or standing on the keys.
Other bits of fun whilst we were in London: John Soane’s museum, a fascinatingly packed house of everything he had collected in a lifetime, and of course a trip to the London Review of Books bookshop.