I’m torn on Coleridge. For most of his poems I enjoy each stanza. However he does not seem to have heard of short poems. If I’m in a poetry mood I tend to lean towards the short. Poems hundreds of lines long, in some cases without even seperate verses, just take too much concentration: I feel the need to read some almost breathlessly.
Off to the charity shop for someone with better concentration than me!
Another trilogy lent to me during recuperation, this one is one I’d read before. This trilogy brilliantly subverts genre tropes, with a modern chemist catapulted into another world during the Age of Legends. Wallie Smith has to understand both how this world works and what is happening to fulfil a mysterious quest set to him by a god.
We have the trials, the faith and the work to drive the world to a better place. But we also have “magic” and strategy and leadership. Of course there is a culture clash, as Wallie has to get used to social norms in the World. How it ends is inspired, and I love that the big picture the gods view includes the purpose for souls, and the need for that soul to be the right age at the right time.
The characters are both strong and flawed, just how I like them! And the world-building is brilliant as we understand the geography and what the Age of Legends means in this world.
Looking for other work by Dave Duncan I am torn to discover that he has added a fourth book to this series. Unlike the existing books, which happen in swift succession, this one is set 15 years into the future. Such a distant epilogue feels like cashing in on a successful trilogy rather than having anything interesting to say
I am a big fan of musicals, including Wicked, and wanted to revisit the novel that inspired the musical.
Wicked: The Life and Times of the Wicked Witch of the West does not have the same plot as the musical, but the same starting premise. Elphaba is given a stronger destiny, and Galinda more socially constrained in the novel. Not to mention the stronger political tones with genocide and murdering dissidents.
This is a full story of a life, starting with a difficult childhood, and an escape to university which is more complex than expected, and full circle being reached again with family links. She has life-long friendships throughout this in the flawed but loving Nanny and Boq, her partner-in-crime. But fundamentally it is about the life of a woman who faces discrimination and battles it to try and be a force for good in the world.
Maguire’s reimagining of Oz manages to be magical and political. He weaves together complex characters with a range of motives, each of them flawed, but so many driven by a higher purpose or destiny.
And of course, it being Wicked, we need a video. I’ve had a good few weeks of concerts recently, and have heard Defying Gravity at both Idina Menzal’s world tour and at an orchestral performance sung by Ashleigh Gray.
With the second centenary of Austen’s death there are many events going on to commemorate her and celebrate her works. This runs from appearing on banknotes to plays and other cultural events. I went to a modern “retelling” of Persuasion at the Manchester Royal Exchange, which was both true to the original language and hilarious in its modern interpretations. I confess I didn’t recall a foam party in the text.
Having seen the play (at short notice) I then returned to the book, to take in the depths and layers that a play with limited cast and a short timeframe couldn’t include. Cousins are added, the full detail of who Mrs Clay is and a bit more detail that makes the courtship make more sense.
It is of course beautifully written, humerous in places and shows Anne Elliot manoeuvring her position to navigate through life and find a suitable future for herself.
Have you recently revisited any classics?
I was lent this series by a friend with a shared interest in young-adult fantasy series to entertain me as I recuperated from an episode of ill health that left me with a month to rest. They more than half-filled the box, but thankfully started as quite slim paperbacks that didn’t look as intimidating as the Red Queen does, with this paperback coming in at over 1100 pages.
The chronicles all stand well as individual books, but make a compelling longer arc as well. However as each book moved on, I felt increasingly like Elspeth had primarily been set an artificial quest rather than facing external issues until very close to the end. She also spends much of her time dependent on her guardian’s protections rather than her own skills and planning, to the extent that I wanted to read the guardian’s book as her story sounded much more interesting.
Even with a dreamworld linked to the real world, we also seemed to spend too much time there, and it was very much a revelations-style dreamworld. If I wanted to read a drugged nightmare then I would have started with a different type of book!
However the general world-building is brilliant, a genuinely post-apoplectic world where all modern technology has been lost into legends. How earlier miracles were worked is gradually being uncovered, and bigotry is challenged. Wars are fought, peace is negotiated and promises are (mostly) fulfilled.
Obernewtyn is a lot of lightweight escapist dystopian future fantasy. Worth reading for the world-building, as long as you aren’t looking for something that stands up to a critical read.
The third, and feels like the final, book in Beckett’s Eden series. Daughter of Eden takes place so far into Eden’s future that the earlier characters have firmly passed into mythology. He also still has something to say about human nature,and our need to believe in something. Through the characters he introduces he frames religious wars as the ridiculous ideas that they are,
But no one else looked at it that way. How can you ask if the story is true or not, if you’re in the story yourself?
I find it interesting that for the last two books he has focussed on female characters, with the surrounding male characters being two-dimensional at best. The women avoid the nurturing trap as well, and instead are powerful characters who have ambitions and leadership skills, despite the way that the society created on Eden has limited them. And the importance of the relationships between those women is central to this world.
I liked how the story was brought full circle without taking the easy escape. Of course Earth would eventually return, but how that was resolved was imaginative.
Tsukuru Tazaki has spent his entire adult life in the shadow of the expulsion from his friendship group in his late teens. Now in his mid-thirties, he is given the impetus to go and find out what has happened to his friends since then, and why they cast him out.
This was not what I expected, and every twist took this in a different direction. Throughout though, I found myself rooting for Tsukuru and hoping that he would be satisfied with the outcome of his pilgrimage. It also offers a view on contemporary Japanese life, with the ordinary everyday, and social structures, being visible alongside the emotional journey Tsukuru has to travel. Of course he doesn’t really take ownership or drive, but I am learning that that is typical of Japanese literature. He at least makes his own decisions about his life in the end, and any lack of resolution is balanced against the complete absence of any clarity at the start.
The Ninth Circle is a fast-paced journey though the fantastical criminal underworld of Dublin, and its parallel in the circles of hell. There are a pair of sisters who are at odds with each other, and another sister who is missing, presumed kidnapped.
Although the concept, setting and even the writing style itself all appealed, the use of “episodes” instead of chapters, which each episode felt as though it was a stand-alone TV programme was disjointed. I don’t expect each chapter to have its own full story structure and be brought to nearly full-resolution. This structure stopped the story from flowing as well as it could have, as well as making the whole book feel like a failed pitch to a TV network.
This book was supplied to me by Netgallery in exchange for an honest review.
Guylain Vignolles is an unlikely central character in a book. He lives a reclusive life, with a job he hates and few friends. But he has one saving grace: he reads. Not only novels at home for pleasure, but aloud, without invitation on his morning train ride. This has gained him a small following, and along with his lunchtime friend’s habit of alexandrines, gives this lightweight novel an pleasantly pseudo-intellectual feel, perfect for Sunday morning reading.
He stumbles through life, guided by instincts and the colourful characters he finds himself alongside. There are a few bumps, and echoes of an earlier traumatic incident, but mostly he is just bumbling through life with Roger, his goldfish, for company. Until….
Of course a change has to be made for their to be any story to hand on Guylain, but his ordinary life is what makes this book so readable. Well worth a lazy morning with tea.
A follow up to What the ladybird heard, which is one of my son’s favourite books (and one we may well see in the theatre this summer).
The art is very similar, and for the first four pages of On Holiday, I thought this was going to be exactly the same with different animals. But then we moved onto the Ladybird’s solution, and it was again both hilarious and innovative, but also completely different. Julia Donaldson’s ability to innovate with children’s plots never fails to satisfy.
My five year old son read it with me (taking it in turns). He liked it at the end when all the animals cheered for the Monkey. He says “its all good”
Netgallery sent me a copy of this ebook in exchange for an honest review.